Archive by Author

Episode 213: Avengers: Infinity War

12 Jul

In this episode, Tyler and Reed discuss the Russo Brothers’ Avengers: Infinity War.

Too Little, Too Late, by Tyler Smith

12 Jul

Peyton Reed’s Ant-Man and the Wasp is a pleasant enough diversion, with some clever sequences, but never really adds up to anything more than a placeholder within the Marvel Cinematic Universe. Perhaps that’s okay, though. With the weight of everything that has been going on in the MCU, maybe a light, effects-heavy romp is just what the doctor ordered. Certainly, one of the interesting elements of this franchise is that we can have different tones from one film to another, with the Captain America films feeling notably different than the Guardians of the Galaxy movies, for example. However, ten years in and we’ve been trained to understand that everything affects everything else and that no hero, regardless of how isolated he may seem, is ever truly alone. So while Ant-Man and the Wasp is often a very amusing film – sometimes downright funny – it’s hard to reconcile it with the current tone of the larger franchise. And so the feel of the film is somewhat diminished and I found myself adopting a fatalistic mindset, wondering what the point of all this is, knowing what we do about the larger universe.

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The Fear of God: Jaws

10 Jul

In this episode, Reed and Nathan discuss Steven Spielberg’s Jaws.

The MTOL Top 50: The Princess Bride

5 Jul

In this minisode, Tyler and Reed discuss Rob Reiner’s The Princess Bride.

The Fear of God: Rope

3 Jul

In this episode, Reed and Nathan discuss Alfred Hitchcock’s Rope. 

Episode 212: with special guest Paul Walter Hauser

28 Jun

In this episode, Tyler is joined by actor Paul Walter Hauser to discuss his faith and career.

The Fear of God: Vertigo

26 Jun

In this episode, Reed and Nathan discuss Alfred Hitchcock’s Vertigo.

“A Laugh Can Be a Very Powerful Thing”, by Bob Connally

22 Jun

On a Saturday afternoon during the summer between kindergarten and first grade, my dad took my brother and me to the Oak Tree Cinemas in north Seattle. Thirty years later I still remember sitting in a packed theater that afternoon, watching Who Framed Roger Rabbit? for the first time. Thirty years later I still love Robert Zemeckis’ groundbreaking film, for a few of the same reasons that I loved it then, but for many others as well. Almost all of us who love movies refer to the films we, “grew up on,” but the best movies that we love as children grow up with us. Few movies grow up as well as Who Framed Roger Rabbit?

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The Fear of God: Paranormal Activity

19 Jun

In this episode, Reed and Nathan discuss Oren Peli’s Paranormal Activity.

A Year with Hitchcock: Waltzes from Vienna, by Reed Lackey

18 Jun

Hitchcock called this the low point of his career. He later called Champagne his least favorite of his films, but maintained that this movie represented an odd sort of crossroads and not an entirely pleasant one. Rich and Strange had been a good film but a commercial failure. Number Seventeen had represented a sloppiness in both style and substance, as if crafted by a hopelessly amateur filmmaker. Then, came Waltzes from Vienna, a film so utterly removed both by narrative and genre from the remainder of Hitchcock’s work as to seem ridiculously anomalous.

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