I walked into Andrew and Jon Erwin’s Woodlawn with my usual skepticism. Most Christian films leave a lot to be desired, both artistically and theologically. In an attempt to appeal to a neglected Evangelical audience, these films will oversimplify every element of their stories and themes, creating art meant to inspire its viewers, but that instead panders to them in the worst way. These films often fail at every artistic level, but are forgiven because their hearts are in the right place, as though a filmmaker’s intention is the only thing that matters.
And so when I was told that Woodlawn was the best Christian film in a while, I was understandably hesitant. A film that depicted faith amidst the trappings of a sports movie (a genre that often has pandering problems of its own) didn’t do much to inspire hope for me. But, while Woodlawn is far from perfect, it left me feeling engaged and entertained, which is more than can be said for any other faith-based film. For this reason alone, I consider Woodlawn to be the best Christian film I’ve ever seen.