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Episode 202: Comedy

31 Aug

In this episode, Tyler and Josh are joined by Kahle McCann to discuss comedy and coarse joking.

Minisode 105: Fighting Hopelessness

17 Aug

In this minisode, Tyler talks about Charlottesville, racism, Donald Trump, and hopelessness.

Salty Cinema: Thomas Purifoy Jr.

28 Jul

Is Genesis History? director Thomas Purifoy Jr. talks about making his polarizing documentary, how he found success releasing the film as a one-night only Fathom event in theaters across the country, the false dichotomy between science and faith, and what the Bible teaches us about good storytelling.

On Sex, Marriage, and the Movies, by Esther O’Reilly

3 Jul

When it comes to sexuality in the movies, many conservative Christians tend to err on the side of extreme caution. Some might use a service like VidAngel to filter out sexual content, while others prefer to skip a given film/show entirely. Rather than making case-by-case judgment calls based on the extent or context of specific scenes, they simply cut the Gordian knot: If it has something sexual in it, it can’t be good, end of story.

As a rule of thumb, this certainly has merit. Few films were ever improved by adding a sexual scene. Pick one at random, and you can safely bet it will be heavy on indulgence, light on edification. Hollywood’s track record in this department does not impress, to say the least.

But already, I know there are some people who would be uncomfortable with my wording just there. “Few? What do you mean? Why not just say ‘no’?” If I say Hollywood gets sex wrong more often than not, some may ask, “What would it mean to get it right?”

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Episode 189: The Case for Christ

13 Apr

In this episode, Tyler and Josh discuss Jon Gunn’s The Case for Christ and Sidney Lumet’s 12 Angry Men.

EPISODE BREAKDOWN
00:00:50- Intro, Worth Watching
00:02:40- Logan article, Bob’s baseball article, Thimblerig’s Ark, Digisciple Me
00:08:15- The Case for Christ
00:47:30- 12 Angry Men
01:21:30- Episode wrap-up

Thimblerig’s Ark: God’s Not Dead

2 Mar

In this episode, Nate discusses Harold Cronk’s hit film God’s Not Dead.

Minisode 99: Depression and Delight

24 Feb

In this minisode, Tyler discusses depression.

Asking Questions, by Bob Connally

25 Jan

Martin Scorsese has never kept his Catholic upbringing a secret. While he has certainly never made Christian films, his lifelong internal struggle of faith has informed his work throughout his now 50 year career as a filmmaker. It is most overt in works such as Mean Streets, The Last Temptation of Christ, and Gangs of New York. But it is such a part of him that his films that don’t have at least a small piece of Christian iconography are notable for the absence of it. He is probably the only mainstream filmmaker of which that can be said. Now with Silence, Scorsese takes an unflinching look into what it means to truly be a follower of Christ under the harshest of circumstances.

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Salty Cinema: Scott Teems

20 Jan

In this episode, Jacob talks with Rectify writer/director Scott Teems.

He Shall Feed His Flock: A Christian Reflects on Manchester by the Sea, by Esther O’Reilly

17 Jan

Several New Year’s roundups noted the plethora of faith-friendly films released in 2016, including more than one positive depiction of Christians from heavyweight Hollywood directors. Perhaps the two most notable were Mel Gibson’s Hacksaw Ridge and Martin Scorsese’s Silence (if you count the latter’s limited 2016 release). Gibson, drawing from life, and Scorsese, drawing from literature, presented full-bodied Christian characters that demanded to be taken seriously. They were neither caricatures nor cardboard cut-outs, but complex men putting skin in the game for their deepest convictions. Tim Gray at Variety also noted John Hurt’s portrayal of a wise priest in the biopic Jackie. It may seem pathetic to be grateful when Hollywood gives us a priest who is neither a megalomaniac nor a pedophile, but the change is still welcome.

Despite this good news, an effectual Christian presence was lacking in one Best Picture contender, ironically one of the films where it was most sorely needed. I’m speaking about Manchester By the Sea.

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