Tag Archives: mtol

Classics Through the Cracks: Real Life, by Bob Connally

27 Nov

Citizen Kane. Casablanca. Lawrence of Arabia. Dr. Strangelove. Films considered by virtually all movie buffs to be amongst the greatest ever made. Classics. But there are so many wonderful movies that for one reason or another have fallen through the cracks and don’t get the recognition they truly deserve. In this new series I will be writing about and hopefully encouraging people to discover the classics that they’ve been missing. Movies like Bad Day at Black Rock, Hud, and L.A. Story just to name a few. I’ll be looking at the film, the era in which it was released, and other popular movies released in that era. For the first entry I’m writing about one of my favorite movies ever made and one that makes me laugh no matter how many times I see it, Albert Brooks’ Real Life.

The 1999-2000 TV season introduced American audiences to two shows that would change television forever. While so called “reality television” was nothing new, shows like Fox’s Cops and MTV’s The Real World were outliers. Major networks would air re-runs of scripted dramas and sitcoms all summer long, with very little original programming running between the end of May and the beginning of September. But as one millennium gave way to another, ABC’s Who Wants to Be a Millionaire (a game show but one that emphasized human drama more than something like Jeopardy!) and CBS’s Survivor broke through to become primetime smashes. This would prove to be anything but a fad with reality shows quickly becoming ubiquitous and remaining that way 18 years on. It would have only made sense for a comedian turned filmmaker to satirize the format around say, 2002. But why bother? Albert Brooks had already done it to perfection. In 1979.

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The Fear of God: Stranger Things (Season 2, chapter 1)

24 Nov

In this episode, Reed and Nathan kick off a two-part discussion about the second season of Stranger Things.

Two-Geek Soup: Iron Man

24 Nov

In this first episode, hosts John and Daniel discuss Jon Favreau’s Iron Man and other nerdy stuff.

Listen to “Pilot Episode” on Spreaker.

Fly Far, by Bob Connally

24 Nov

Christine McPherson (Saoirse Ronan, Brooklyn) is desperate to get through her senior year of high school as it begins in the fall of 2002. She wants nothing more than to escape the boredom of being a teenager in Sacramento and to fly away to college in New York. Maybe that’s why she insists that people (including her own mother) call her “Lady Bird.” Written and directed by Greta Gerwig (an actress long favored by Noah Baumbach), Lady Bird is as much if not more an exploration of the complicated dynamics of a mother-daughter relationship as it is a coming-of-age tale. It was hardly surprising to learn that Gerwig’s original title for the film was Mothers and Daughters.

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You Must Remember This, by Reed Lackey

23 Nov

Stories about death, deferred dreams, broken families and old wounds don’t immediately resonate as fodder for children’s films. But Pixar’s latest entry, Coco, attempts to tackle these subjects and more. Stunningly, they not only manage to craft an accessible and entertaining fable, but they also express profound observations about legacy, familial heritage and the power of art to unite and to heal.

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The Best of Pictures: All About Eve

16 Nov

Tyler and Josh discuss Joseph L. Mankiewicz’s All About Eve, Best Picture of 1950.

The Fear of God: Stranger Things (Season 1, chapter 2)

14 Nov

In this episode, Reed and Nathan continue their discussion about the first season of Stranger Things.

Empty Passion, by Darrell Tuffs

10 Nov

What’s the one thing that could make or a break a bleak romantic drama focused on the unstoppable love of two despairing individuals? The answer… chemistry. Unfortunately for Gabe Kliger’s European art/indie feature Porto (2017), it had none.

It’s not that Porto is a bad film necessarily, indeed, I enjoy parts of its filmmaking very much. An inventive and considerate camera does its best to dissect the strangely incoherent and dreamscape world of the film. I even caught sight of a few early Truffaut/Godard style camera moves, shots that seemed to reminisce the film’s own appreciation for new wave works such as Jules and Jim (1962) or A Woman Is a Woman (1961). Technically, the film stands on its own, with just enough cinematic beauty and creativity to run its course. The problem is this… emotionally, Porto seemed to think I was way more invested in its character’s and narrative than I actually was.

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Episode 209: Paddington

9 Nov

In this episode, Tyler and Robert discuss Paul King’s Paddington and Steven Spielberg’s The Terminal.

The Fear of God: Stranger Things (season 1, chapter 1)

7 Nov

In this episode, Reed and Nathan discuss the first season of Stranger Things.