Tyler’s Top Ten of the 2010s

2 Jan

10. The Place Beyond the Pines (2013)

A film that manages to be both straightforward yet oddly dreamlike, this film by Derek Cianfrance stars Ryan Gosling and Bradley Cooper, along with a stable of great character actors. The lives of a novice bank robber and an ambitious cop crash violently into each other, with ramifications that echo into the next generation. An engrossing meditation on the ghosts of the past and our decision to let them dictate our actions in the present, The Place Beyond the Pines is an intimate film of epic proportions.


Salty Cinema: Spencer T. Folmar

1 Jan

In this episode, Jacob talks with Spencer T. Folmar about his latest film Shooting Heroin.

Good Choices, by Bob Connally

29 Dec

Twenty years ago, Adam Sandler was famous for playing a variation on the same character in virtually every movie he was in. Billy Madison, Happy Gilmore, and The Waterboy all existed as vehicles for Sandler to play a man who never matured past the age of 8 and who could be given to sudden bouts of unbridled rage. Even in movies such as The Wedding Singer or Big Daddy, the characters he played never strayed far from his comfort zone and the writers and directors who tailored those films to his style never challenged him. Enter Paul Thomas Anderson in 2002, coming off of his 3 hour, 8 minute operatic ensemble drama Magnolia


Episode 221: Uncut Gems

28 Dec

In this episode, Tyler discusses the Safdie Brothers’ Uncut Gems and John Cassavetes’ The Killing of a Chinese Bookie.

Some Fine Fellas, by Bob Connally

27 Dec

Family and the holiday season inherently go together. Whether it’s time we spend with our families or the desire to be with them if life and circumstances do not allow for it. There are also the memories of the times we spent with those who are no longer with us. But beyond memories there are things that can still make us feel connected to those who have left us behind.


The Fear of God: The Shawshank Redemption

27 Dec

In this episode, Reed and Nathan discuss Frank Darabont’s The Shawshank Redemption.

The Fear of God: Hearts in Atlantis

19 Dec

In this episode, Reed and Nathan discuss Scott Hicks’ Hearts in Atlantis.

No Risk, No Reward, by Tyler Smith

18 Dec

At this point in the Star Wars franchise, what started in 2015 as intense eagerness amongst the moviegoing public has slowly turned into a mild curiosity at best and a resentful obligation at worst. So many people, whether they enjoyed The Last Jedi or not, view the final film in the latest trilogy, The Rise of Skywalker, with exhausted trepidation; a weary desire to get some kind of closure. And it appears that director J.J. Abrams sensed this – not that it was particularly subtle – and has obliged by creating a film that is so focused on tying up loose ends that it often feels perfunctory. Through rushed scenes, last minute developments, and astonishingly-clumsy exposition, Abrams attempts to undo the perceived damage done to the mythology by the previous film while also giving every character as satisfying an arc as he can, all while trying to keep the events exciting and fresh. This many spinning plates would be difficult for even the best directors; Abrams, a reliable journeyman but hardly an engaging auteur, does his best, but mostly loses control of the juggernaut that The Rise of Skywalker was always destined to be. 


The Fear of God: The Running Man

11 Dec

In this episode, Reed and Nathan discuss Paul Michael Glaser’s The Running Man.

Episode 220: A Hidden Life

10 Dec

In this episode, Tyler discusses Terrence Malick’s A Hidden Life and Fred Zinnemann’s A Man For All Seasons.