The Fear of God: Vertigo
26 Jun
In this episode, Reed and Nathan discuss Alfred Hitchcock’s Vertigo.
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The Fear of God: Paranormal Activity
19 Jun
In this episode, Reed and Nathan discuss Oren Peli’s Paranormal Activity.
A Year with Hitchcock: Waltzes from Vienna, by Reed Lackey
18 Jun
Hitchcock called this the low point of his career. He later called Champagne his least favorite of his films, but maintained that this movie represented an odd sort of crossroads and not an entirely pleasant one. Rich and Strange had been a good film but a commercial failure. Number Seventeen had represented a sloppiness in both style and substance, as if crafted by a hopelessly amateur filmmaker. Then, came Waltzes from Vienna, a film so utterly removed both by narrative and genre from the remainder of Hitchcock’s work as to seem ridiculously anomalous.
A Year with Hitchcock: Number Seventeen, by Reed Lackey
15 Jun
Hitchcock tackles another play, but this time, it’s a full-blown noir mystery thriller. Behind the scenes, the financial failure of Rich and Strange (aka East of Shanghai) had caused the production company to remove him from the project he really wanted to do and forced him to take on this one. As a result, his heart wasn’t in its creation and he later heavily derided it as one of his least favorable films (he called it a “disaster”).
A Year with Hitchcock: Rich and Strange, by Reed Lackey
12 Jun
Hitchcock lightens things up this time with an entry that drifts away from the smaller, domestic dramas and from his adaptations of plays to present a far more comical story about the allure of wealth and opulence. The result is a rather pleasant farcical adventure that Hitchcock himself liked quite a bit, and which you are likely to enjoy as well.
The Fear of God: The Purge
5 Jun
In this episode, Nathan and Reed discuss James DeMonaco’s The Purge.
By The Numbers, by Reed Lackey
25 May
Star Wars as a franchise seems to have a complicated relationship with telling the beginnings of stories. The highly divisive and frequently maligned prequels to the original trilogy remain the low bar by which all other entries in the franchise are measured. It’s even riskier, then, for the franchise to begin to tell even more “stories-before-the-stories” with their recent entry Rogue One, and the latest installment: Solo.
