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Culture-Of-Goal, by Jason Eaken

24 Feb

I am a Christian not usually moved by Church. What I mean is this: I go to church, I can appreciate the ideas and truth content of a sermon, but rarely does the experience – the packaging, if you will – itself move me. Oftentimes, I leave slightly fussy and have to get over myself on the car ride back home. This is not a film. This is not a novel. This is not art. This is proclamation on a 7-day cycle. Pastors don’t have teams of writers like sitcoms and anytime I think, “Well, hell, maybe they should” I am immediately struck by the stupidity and un-enlightened-ness of the concept. It is just possible that the sermon was not crafted with me in mind – and that it shouldn’t have to be for me to be willing to see what it’s saying. This is a lesson continually learned. For myself and people like me, small group meetings are more fulfilling: discussing verses, digging into them more than usually happens in a sermon. This is where His words come alive for me. […]

Episode 21: with special guest Doug Jones

17 Feb

In this episode, Tyler is joined by actor Doug Jones to discuss his faith and career.

EPISODE BREAKDOWN
00:01:00- Introduction of guest, Doug Jones
00:02:51- Growing up
00:07:37- Performing
00:11:37- Artistic goals in a Christian community, parental reaction
00:18:52- Reconciling faith and artistic choices, Legion
00:39:40- Being an “outspoken” Christian
00:44:30- Episode wrap up

Hell on Earth, by Josh Long

17 Feb

LEGION (2010)
Directed by: Scott Stewart
Written by: Scott Stewart and Peter Schink
Starring: Paul Bettany, Dennis Quaid, Adrianne Palicki, Lucas Black

Boy, oh boy.

Just when you thought you knew everything about Christianity, here comes Legion! You thought angels were bulletproof? WRONG! You thought only demons possessed people? WRONG! You thought Dennis Quaid still had a respectable career? WRONG and WRONG! […]

Let Saturday Worry About Itself, by Tyler Smith

5 Feb

Listeners of my other podcast know that I’m going to be co-hosting a live comedy show this Saturday night. It’s something that David, my BP co-host, and I have been trying to get off the ground for well over a year. We were excited to do it… when it wasn’t going to happen. In theory, it would be a lot of fun.

[…]

Episode 17: with special guest Josh Long

21 Dec

In this episode, Tyler is joined by filmmaker Josh Long to discuss being a film fan in the Christian community.

A Quote from Calvin

23 Nov

I recently ran across an interesting quote from famed theologian John Calvin. I thought you might enjoy it.

Therefore in reading profane authors, the admirable light of truth displayed in them should remind us that the human mind, however much fallen and perverted from its original integrity, is still adorned and invested with admirable gifts from its Creator. If we reflect that the Spirit of God is the only fountain of truth, we will be careful, as we would avoid offering insults to Him, not to reject or condemn truth wherever it appears. In despising the gifts we insult the giver.

An important thought from a man who was not exactly a champion of the arts. God can use anything to get across His truth. Something to keep in mind.

Everything That Was Written, by Jason Eaken

20 Nov

“For everything that was written in the past was written to teach us, so that through endurance and the encouragement of the Scriptures we might have hope.”
-Romans 15:4

Quotations are important to me. In my apartment, there are three large stacks of blank notecards and a black permanent marker, so that whenever a new one comes into my life, I can write it down. There are about 50 next to this keyboard right now – quotations from movies, books, songs, interviews, and many from The Bible.

[…]

A Good Christian Movie? by Jason Eaken

13 Oct

LORD, SAVE US FROM YOUR FOLLOWERS (2008)
Written and Directed by: Dan Merchant

Dan Merchant’s new documentary is a timely film, both in its use of popular documentary film techniques and its approach to Christians. In a time when the loudest voice usually wins the day, here is a film that is surprisingly pleasant. It follows Merchant across the country as he seeks to understand the widening gap between faith and culture. With both sides of the isle locked in fisticuffs, how do you determine progress? Has the winner changed anyone’s mind? Is the only reason they’re declared the winner because the other side simply stopped arguing and walked away?

It is a sad case, indeed, when most popular documentaries are taking their cues from reality TV. They’re about gimmicks, not stories. Still, plenty of people are doing good, interesting work. Places like the “True/False Film Festival” in Columbia, MO showcase dozens of well-crafted, smart documentaries each February. Merchant’s film bats a little over .500 in this department. He works for an advertising company in Oregon, and there are times when he undercuts the film’s power by over-emphasizing clever-packaging. The film opens with “South Park”-inspired, paper-cutouts of celebrities and politicians and we watch while their fake mouths go up-and-down while their comments play. The comments are interesting, but the visuals feel cheap. It doesn’t really work.

The gimmicks that do work, though, are some of the most surprising, because they place Merchant himself in front of the camera, which is usually death for a documentary. And here’s the difference. When he shows up, he acts as a springboard. He’s listening, not preaching. He has a character called “Bumper-sticker Man” which is him in white coveralls with bumper-stickers from all faiths and creeds plastered on it. He walks around and asks people to talk about anything they like or dislike. He doesn’t argue with them, doesn’t try to convince them of anything. He records. He documents. He shuts up.

What also surprised me is how fair he was. A Christian himself, the first half of the film details the ways Christians miss the mark. From people explaining their perceptions of Christians to showing clips of Christians doing it all wrong, the film lets both sides speak for themselves. One of the most interesting moments is when Merchant sets up a fake game-show, “Family Feud” style. There is an entire set, the 3 camera set-up, the works. On one team are Christians; the other team, non-Christians. The goal of the game is to see which team understands the other side better. When asked about reasons for abortion, the Christians easily came up with answers like, because the victim was raped. But it was the non-Christians who got points because they understood that for some, no reason is needed. The Christians were stunned. The final score wasn’t even close. The Christians lost something like 275-50. Merchant repeated the game with college students: Christians vs. non-Christians. The Christians got shut-out.

What’s brilliant about the documentary is it didn’t try to cover the mistakes the Christians made. It highlighted them. Merchant set up a neutral experiment and reported its results, even when they aren’t flattering to his own beliefs. If all we know about the other side is what we’ve been taught on a Sunday morning, then we don’t know very much at all.

The point of the film, though, isn’t that Christians are stupid. It isn’t even that it’s all our fault. Later, he shows non-Christians going on World Hunger trips and their interviews afterwards are eye-opening. They are blown away by the love the Christians show, by their hearts for young children, by how much they give. The film’s most powerful sequence shows a group of Christians in Portland setting up under a bridge one night to feed, clothe and serve the homeless. They wash feet. They talk to them, hug them. There’s no sermon attached to it, no forced-message on top of it. Just love.

Another powerful sequence is also set in Portland, during a Gay-Pride celebration. Merchant sets up a Confession Booth. But once again, he inverts the gimmick. When people come in, Merchant sits them down and begins his confession. He apologizes for the behavior of the Church toward homosexuals. He apologizes for things he’s done to make it worse. He asks them for forgiveness. And you know what, it’s genuine. Almost everyone we see enter the booth thanks him for saying these things. They begin talking. Once again, the film doesn’t show it directly resulting in the conversion of any of these people. It just shows Christ’s love. That’s our part. God does the saving.

Watching these sequences and the reactions of the people, hearing them begin to open up about themselves, watching a dialogue begin by two people from such opposing sides, it is subversively powerful. It sets an example. This is a film that challenges Christians deeply and directly.

The film spreads itself a little thin at times, trying to cover every single possible topic. Its structure begins to spin out of control during the middle third, going too many places for too little time, and the result is an overload. Still, because of the number of great sequences, because the film ultimately isn’t interested in placing blame, because it documents reactions and events instead of staging them to make a pre-determined point, it is a very good film. It is also a decidedly Christian one. Now that’s what I’m talking about.

CLICK HERE TO VIEW THE TRAILER

Art, for God’s Sake, by Jason Eaken

23 Aug

I moved to Los Angeles to make movies, because I believe that is what God put me on this Earth to do. I am a Writer. Director. Actor. In that order.

This is an impossible thing to say to any other human being and not explain yourself. It’s nearly impossible to write it, too. The notion of anyone moving to L.A. to be in movies is even more cliché than calling things cliché. Although I know that it is true, I can’t help but feeling I’m either insane or egotistical, or insanely egotistical; and that’s before we bring in God to the equation. There is no small way to say that “such and such” is God’s will for your life. It is declarative and direct and large. So here I am to conflate a potentially egotistical pursuit with God’s plan for my life. It’s a little like saying, “God has told me to be more awesome than you are.” It doesn’t matter that that’s not the case, my point is that the statement is inherently lofty, and it catches people off-guard. There is a look in their eyes for even just a split second, where they’re not sure if you’re joking or not. Nothing to be done but wait. Once they realize you’re serious, an explanation is inescapable.

What you may not expect is that the most frustrating conversations I’ve had about it have been with other Christians. But then, that point of view is sort of the impetus behind this entire podcast of Tyler’s, isn’t it? Because I have a different view of art than other Christians, the explanation can spiral into a bit of an argument. Most Christians assume that because I’m a Christian, it means I want to make overtly Christian films. They assume that anything I write and direct will be suitable for the entire family to view, maybe some glimmering Sunday afternoon after returning from their Sunday School class potluck (and before they march right back to church for the evening service). Perhaps the only thing Christians misunderstand more than the art itself is the artist who made it.

At my last church, when they heard I was a writer and actor, I was approached no fewer than 10 times and asked to either direct the K-5th grade Easter musical or else write and direct scenes for the Youth Group – effectively, to become a Head Drama Instructor for the church. When I would politely decline their faces were some of the most confused I’d ever seen. They all told me some variation on the notion that because God had given me abilities and because those abilities would benefit these particular people, that God wanted me to do whatever it was that they had asked me to do. “Come on! Help out the church! We need you!” This attitude isn’t new. My high school Youth Group started what they called Zoi-Teams, or “Z-Teams” (“zoi” means life). The Youth Pastor helpfully explained that any abilities and giftings we used for our school or community should be used – and used more – for the church (that is to say our church).

These attitudes form a double-edged sword of frustration, and if there is going to be reconciliation between Christians and art, then the matters need to be put to rest. First, there is the position that a Christian who is an artist will want to make Christian art will want to not merely identify himself as Christian through his art, but also confine both his audience and his content to the Christian industry. The second position is that I am required by God to use my artistic abilities for the purposes of whatever church I am attending, whatever those purposes might be and regardless of what I am doing outside of the church. These positions are not merely assumed, they are prescribed and they are taught, and therein lies the issue.

As Christians, we believe that God has a calling for every single person’s life. It is our choice to seek that calling or to fight against it. But there has developed a warped view of what God calls his people to do. Churches and its members place the highest priority on being called “into the ministry,” which is to say, being called to be a pastor or missionary or do work directly for a specific church. What is most odd is that even church members not called into the ministry tend to view it as better. Where has this mentality come from? It’s not in the Bible. In fact, 1 Corinthians 12 says quite the opposite: “There are different kinds of gifts, but the same Spirit. There are different kinds of service, but the same Lord. There are different kinds of working, but the same God works all of them in men.” (v.4-6) During the alter calls in my Youth Group, the youth pastor would regularly announce that Suzie so-and-so had been called into the ministry or that Johnny what’s-his-name had been called to be a pastor. They spoke of The Ministry as if that’s where the real Christians went. Never would they have announced that God had called someone to be a writer or artist, because without saying it, the truth was they didn’t really think that was a viable calling. This mentality pervades churches, and the only way they can see around it is if someone announces that God wants them to make, you guessed it, Christian art.

If anyone’s read my previous blog, they know I am pretty negative about Christian art. But my objections are to the quality of the work, not the validity of the calling. If God calls someone to enter the Christian film community and specifically create films for that audience, then that’s the calling and that person has a responsibility to it. My position is that to date, the artists who claim this calling haven’t taken enough responsibility for it. Either way, that’s not the calling that has been placed on my life, and those aren’t the stories I’m going to tell. I’m not here to make “Christian” movies, I’m here to make good movies. I discount no genre or type or style of movie, because if they are good, then all are valid and all have something to offer. I’m here to follow a calling that has been placed on my life. The things I write, the films I’ve made and want to make are stories that appeal to me. If I decline to write something specifically for the church, it’s not because I refuse to use my talents for God, it’s because I’m working on what I’m supposed to be working on, and I don’t have the time to take on something else. If I don’t feel God pushing me toward something, I don’t do it. And it works both ways.

Last fall and winter, I wrote a screenplay with a friend. At the same time, I was writing a short film by myself. I was much more fond of the solo film, I felt like it was more challenging to me personally as a writer. It was new ground for me. At the beginning of this year, I had every intention of making that short film before moving to California. But God set things in motion and brought the co-written movie into the foreground and it became the focus. The more I thought about it and prayed about it, the more I knew that it was the thing to pursue, even though it was more complex visually than anything I’d done, required dozens of locations, a full crew, and endless hours of additional work. Every logical bone in me said I wouldn’t be able to make it, and for the first month I was just waiting for it to fall apart, and then I would go back and finish the other screenplay. It’s been almost 9 months since I touched my solo screenplay. At every turn, when it should have collapsed, when it seemed impossible, God opened doors and avenues and showed favor, and we’ve finished the film – a film I didn’t believe I could make. God pushed me in that direction, and I listened, and it has been something very special. As a result of our work together, my co-writer/ -director moved out here with me. This is a film, I’d like to remind everyone, which has nothing remotely overtly Christian about it.

Now, I do have some ideas for a film set in a church, but it’s not the type of movie most Christians would think of. It would undoubtedly be rated R, which would mean some Christians wouldn’t even see it. Some of the films I’ve made and want to make would be rated R. Some of them will contain profanity, violence, nudity, and other content deemed “un-Christian.” How can it be that I am called by God to make such movies? Why would He call me to those movies instead of Christian movies? Because God is much less worried about the content than the Christian community. I believe God is much more concerned with the context. If I say a certain word that someone dislikes, I don’t care. What I care about is, have I made the movie I was supposed to make? Does this film add anything to the conversation? Is the film honest and true? If it is, then God will be glorified. If it is, then it will find an audience. I hope that audience won’t just be Christians. Because if it is, then I’ve made a huge mistake.

NOTE: Something Tyler thought would be interesting is for me to periodically write a blog update for this to sort of track my experience and progress as a filmmaker in L.A. So look for updates about once a month.

How I Abused Apologetics, by Tyler Smith

1 Aug

Living in Los Angeles has really had an interesting effect on my faith. Having met with a fair amount of ridicule and hostility (some direct, some not), I found myself becoming more and more argumentative. I immersed myself in Apologetics; that is, the practice of approaching Christianity with logic, reason, and analysis for the purpose of a deeper understanding of the faith. I became absolutely hooked. Once I started to read one argument after another in defense of Christianity, I couldn’t stop.

My drug of choice was C.S. Lewis. I started with “Mere Christianity,” then moved on to “Miracles,” “The Problem of Pain,” and “The Four Loves.” His practical, yet faith-based, approach to the teachings of Jesus were exactly what I was looking for. So I went out into the world of the internet, armed with arguments, looking for a fight.

It got to the point that I would have trouble sleeping at night, rehearsing rebuttals to what an atheist friend might say.

It was an interesting circumstance. I had a fuller, deeper understanding of Jesus and the sacrifice he made for us, and yet I had no peace or joy. Apologetics is supposed to be a tool, but I was fully prepared to wield it like a weapon.

I realized that it was my personal pride that had gotten in the way. It wasn’t so important that I defend the faith as it was that I won the argument. As such, I had only read the material to find key points that would strengthen my rebuttals.

I decided that, as my new understanding wasn’t actually helping my relationship with God, as it was meant to do, I would have to change my approach to Apologetics. Rather than trying to find a way to prove myself to others, I would look for a way to glorify God.

Once I made that decision, I started looking at these books in a whole new way. Suddenly, I found myself having discussions, not with atheists, but with my fellow Christians about the wonder and grace of God. In these talks, we would deal with our own questions about Christianity, not by simply acting as if these questions were wrong and should be ignored, but by thinking through them and listening to each other, using Lewis and Driscoll and Keller as reference points.

God gave us inquiring, reasoning minds and the freedom to use them. Some would say that within this freedom lies permission to simply accept whatever we like as the truth. However, what I came to realize was that, the more questions I had, the more answers I discovered. The more answers I had, the closer I came to Christ.

Apologetics was never meant as a way to win arguments. It was meant to incorporate inquiry and intellect into the faith so that we might be able to better comprehend and verbalize what Jesus did for us. I find that, if I focus on that aspect of Apologetics, I have fewer debates and many more conversations.