14. The Godfather Part II
5 Jul
dir. Francis Ford Coppola
After the commercial and critical success of The Godfather, Francis Ford Coppola had his work cut out for him in crafting the sequel. Clearly uninterested in simply telling the same story again, Coppola chooses instead to explore the cyclical nature of the Corleone family, showing us the early endeavors of a young Vito and the modern criminal empire of Michael. In doing so, we see two men who engage in horrifying acts of violence, but are driven primarily by their desire to take care of their families. And while Michael slowly but surely descends further into a cold, soulless loneliness, we are treated to Vito’s swift ascent to the top of the criminal food chain. Things are hopeful and exciting for Vito and his family. And yet, by seeing the eventual fate of Michael and Fredo (and remembering poor Sonny in the first movie), the film reminds us that, despite his good intentions, Vito has set his family on a path to Hell. With this ambitious sequel, Coppola’s exploration of the corrosiveĀ nature of the criminal enterprise is fully realized and we finally see that, in the world of The Godfather, there are no happy endings
No comments yet