More Than One Lesson

Whew. After two very strong entries (Hitchcock’s final silent film and his first talkie), this return to domestic drama is a sharp left turn off a steep cliff. It received overwhelmingly positive reviews in its initial run, but even Hitchcock himself regards it as something of a let-down.

Based on the play by Sean O’Casey (and also sometimes known as “The Shame of Mary Boyle”), this understated drama focuses on the fortunes and misfortunes of an Irish family amidst the turmoil of the Irish Civil War. Unfortunately that sentence I wrote is about as interesting as anything in the film.

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It’s here. The biggest, most important movie awards ceremony on the planet that is named after a person whose name is a palindrome (Take THAT, Pip Awards!). There are no trophies, there is no red carpet, but there are gift certificates to Red Mill Burgers in Seattle at stake (recognized by GQ for having officially the Best Onion Rings in America). So please, allow me to save you three and a half hours that will ultimately lead up to an envelope kerfuffle. Here are the winners of the Bob Awards for the films of 2017. Enjoy!

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In this episode, Reed and Nathan discuss the recent cult hit Black Mirror.

Hitchcock’s first “talkie” (and largely regarded as the first British “talkie” at all) is also his first straight-forward suspense film since The Lodger seven films earlier. It required a bit of intuitive insight on Hitchcock’s part into the contemporary cinematic trends to fully create it and it remains one of the strongest entries in Hitchcock’s first decade of films.

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In this episode, John and Daniel discuss James Gunn’s Guardians of the Galaxy.

Listen to “Ep. 10 “He’s just your stereotypical butt-hurt badguy”” on Spreaker.

In this episode, Reed and Nathan discuss the 90s cult classic The X Files.

I can still remember the first time I saw it. I was 16 and had the evening to myself at home. I worked at a local video store from which I could bring home free movies every night so long as I returned them the next day. That night the film was The Shawshank Redemption. And it absolutely blew me away.

Is there anybody left over the age of 25 who hasn’t seen that movie? Probably not. It’s rated number 1 on the favorite movies of all time on IMDB. I’m going to assume you’ve seen it. If you haven’t seen it, go watch it and come back… We’ll wait…

Welcome back. So what’d you think? Greatest movie ever? Cheesy and overrated? Boring and overlong? Powerfully moving and affecting? Most satisfying ending in cinema history? Ridiculous popular claptrap?

What’s been interesting to examine regarding that film’s place in cinema history is how widely the pendulum has swung regarding its favor. In 1994 when it was originally released, it was largely ignored. A 2 ½ hour prison drama with a weird title starring two people who weren’t quite on the A-list just yet, especially in the same year that cinematic behemoths Pulp Fiction and Forrest Gump were also released? Most people took a hard pass on it. It’s worth mentioning that it was nominated for 7 Oscars, but also worth mentioning that it didn’t win any of them.

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In this episode, John and Aaron discuss Captain America: The Winter Soldier.

Listen to “Ep. 9 “We don’t have an ethics of suffering”” on Spreaker.

The last of Alfred Hitchcock’s silent films is also arguably the best (although The Lodger remains the most significant). With strong, well-defined characters, a poignant and emotional narrative, and sturdy, focused direction, The Manxman is a solid entry in the filmmaker’s early catalogue.

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In this episode, Reed and Nathan discuss Rod Serling’s classic TV show The Twilight Zone.