More Than One Lesson

The first time the Star Wars universe extended to the world of television was in November of 1978. The Star Wars Holiday Special remains one of the most baffling TV programs ever produced. Between several minutes of Wookiee growling, the bizarre and misguided scene with Diahann Carroll, and, “Stir, whip, stir, whip, whip, whip, stir,” it’s like watching a train crash into an orphanage that was already on fire. There is, however, one part of the show that those of us who have subjected ourselves to it must admit isn’t entirely a disaster. While the cartoon short that introduced Boba Fett a year and a half prior to The Empire Strikes Back has strange and unpleasant looking animation – what’s with the chins? – it’s not a bad story. It gave fans their first look at the Mandalorian armor of the bounty hunter who would go on to capture Han Solo before dying in the most embarrassing way possible. (Yes, I know that according to the extended universe he climbed out of the Sarlacc pit but, to anyone watching Return of the Jedi in 1983, Boba Fett was dead. In the most embarrassing way possible.)

In this episode, Reed and Nathan discuss Tigers Are Not Afraid.

It’s fun to be back with all the familiar faces we met in Frozen, only this time, it’s not winter; it’s fall. And with a sequel comes new possibilities. While I respect that Frozen II tries to do something different and fresh from the original, it overall fails to match its predecessor.

Ford v Ferrari, the new based-on-a-true-story/underdog vs. the world/sort of dual biopic is a movie that feels very familiar. The story beats and character dynamics are ones that audiences know well. Even if you don’t know the details of this particular story (as I did not), one more or less knows how things are going to turn out. There is nothing challenging about it and it is probably just what you are expecting it to be. Of course, there’s no reason a movie like that can’t be incredibly entertaining, and thankfully that’s what Ford v Ferrari is. Director James Mangold (Walk the Line, Logan) has delivered a movie that is involving, exhilarating, and makes you want to drive fast.

In this episode, Reed and Nathan discuss George Sluizer’s The Vanishing.

In this bonus episode, Reed and Nathan discuss the differences between the 1977 and 2018 Suspiria.

Clint Eastwood’s Richard Jewell will be released in December and many people are questioning the timing, not only of its release, but of its general making. The story – about an ordinary man railroaded by the press into becoming a national joke – doesn’t exactly portray the mainstream media in the best light. With President Trump, and Republicans in general, regularly condemning the media as biased and craven, some have criticized Eastwood’s decision to make a film that would appear to give credence to that claim. They accuse the conservative Eastwood of making and releasing this film with a political agenda. 

In this episode, Reed and Nathan discuss the foreign horror film Goodnight Mommy.

After directing low-budget comedies in New Zealand such as What We Do in the Shadows and Hunt for the Wilderpeople, Taika Waititi was given the keys to the Marvel kingdom with Thor: Ragnarok, which turned out to be one of the best loved movies in the MCU and one of the funnier comedies of the last few years. Clearly not interested in playing it safe between big budget Marvel films (Waititi is currently writing Thor: Love and Thunder), he decided his next film would be a comedy set in Nazi Germany about a 10-year old boy whose imaginary friend is Adolf Hitler, just as one would have expected.

Reed’s son reviews the Universal monsters movies.