Archive by Author

On Set, by Jason Eaken

21 May

The simplest thing to say is there’s nothing like being on a movie set. There’s nothing simple about being on-set itself either. It’s chaos: all busy and technical and clustered and there’s a lot of waiting involved sometimes. But it’s the most exciting kind of chaos: creative. Nine people gathered in a Sherman Oaks townhouse: the DP and a grip talking about camera equipment and setting lights; the other grip setting up our food in the kitchen, just off camera. To the other side of the camera, down in the living room, a large pile of empty bookshelves that had cluttered the dining room with something akin to 500 DVDs and books, which now occupy a hoard of boxes upstairs in the bedroom of the producer. The 3 actors are bopping between upstairs getting into costume and make-up and downstairs eating Red Vines, Almond M&M’s and some new type of Pop-Tart that is kindof like S’mores, but different, too. I’m in the kitchen, too, playing with the concoction of foods and arranging them onto the plates for the actors. It’s about consistency, it needs to look gross and to achieve the effect we had to venture outside what is commonly referred to as “people food.” But I only do one of them, then stash it in the fridge and run over to check on lights, “We’ll be ready in fifteen,” he says, good to know, because upstairs, one of the actors is having hair problems. He can’t get it into a workable ponytail, so we’re scrounging for hair product and clips to hold it in place. I go ahead and explain the shot list to them to try to give a sense of the flow of the night, even though we went over it at our final rehearsal, but with so much going on it gives both them and me a bit of a foothold on everything to list out our agenda. Then back downstairs to make more nasty-fied food, and we haven’t set the table yet. “Which side of the plate does the fork go on, anybody know?” Left is our consensus, but then it’s switched and then a short discussion about napkin placement ensues, because film is in the detail and because this is a thing I don’t know and feel that I should at this point.

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MTOL Guest: Jason Eaken

19 May

JASON EAKEN is a writer and director. He graduated with a BFA in Acting from the University of Central Missouri, where he learned that, if you’re not acting hard, you’re hardly acting. he’s performed in nearly 30 plays and musicals, co-hosted the podcast Experts and Intermediates. Next up, Jason is working on a helpful literature series about his craft, which includes the following titles: “There’s Only One ‘I’ in ‘Acting,’ and it’s Me,” “Stand Back… ACTING!” and “Hand Me My Props, I’m About to Go Off!”

Episode 27- A Serious Man

19 May

In this episode, Tyler is joined by filmmaker Jason Eaken to discuss what we can learn from the Coen Brothers’ A Serious Man.

Episode 26- Iron Man

28 Apr

In this episode, Tyler discusses what we can learn from Jon Favreau’s Iron Man.

EPISODE BREAKDOWN

00:00:44- Intro/Iron Man
00:16:00- The Shadow
00:35:30- Will Gray/Broke*
00:39:15- “Film Queue,” by Will Gray

Episode 25- The Informant!

21 Apr

In this episode, Tyler discusses what we can learn from Steven Soderbergh’s The Informant!

EPISODE BREAKDOWN
00:00:45- Intro/new message board
00:02:17- The Informant!
00:13:25- Shattered Glass
00:26:28- Episode wrap-up

A Neurotic Misstep, by Josh Long

16 Apr

GREENBERG (2010)
Written and Directed by: Noah Baumbach
Starring: Ben Stiller, Greta Gerwig, Chris Messina

I should start out by saying that I am a great admirer of the films of Noah Baumbach. I’ve thoroughly enjoyed much of his work, and I consider him to be an important figure on the artistic cinema front – I even enjoyed Mr. Jealousy, the film which caused blow-hard New York critic Armond White to wish abortion on the filmmaker 1. It’s no masterpiece, but it certainly doesn’t deserve such harsh criticism. But White isn’t alone in his disdain for Baumbach. His recent Margot at the Wedding received harsh reviews almost across the board, despite his 2005 success with The Squid and the Whale. In going to see his newest film, Greenberg, I expected to be defending him from the critics once again. But that isn’t what happened.

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The Best of Pictures: Shakespeare in Love (1998), by Josh Long

2 Apr

SHAKESPEARE IN LOVE (1998)
Directed by: John Madden
Written by: Marc Norman and Tom Stoppard
Starring: Joseph Fiennes, Gwyneth Paltrow, Judi Dench, Geoffrey Rush

For many people, the name “Shakespeare” conjures up memories of dry high school classrooms, research papers, and dull three-hour theatre experiences. Many Americans are introduced to Shakespeare too early in life to appreciate his genius, and perpetually associate him with boring homework. 1998’s Shakespeare in Love was a film that attempted to take that stodgy English sonneteer and show him as a vibrant, lovelorn poet, embroiled in an exciting world of sixteenth century entertainment.

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The Best of Pictures: The Hurt Locker (2009), by Josh Long

27 Mar

THE HURT LOCKER (2009)
Directed by: Kathryn Bigelow
Written by: Mark Boal
Starring: Jeremy Renner, Anthony Mackie, Briah Geraghty

So for those who don’t know, I’ve been writing a series on the films that have gained American film’s highest honor: the Academy Award for Best Picture. Since the Oscars themselves have caught up with me, I think it’s time to step away from the retrospectives and take a look at 2009’s winner, The Hurt Locker.

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Episode 24- The White Ribbon

24 Mar

In this episode, Tyler discusses what we can learn from Michael Haneke’s The White Ribbon.

EPISODE BREAKDOWN
00:00:43- Intro/hushed tones
00:01:10- Intentions for the podcast
00:05:35- New blog series on Job and Luke
00:06:56- The White Ribbon
00:29:58- The Sweet Hereafter
00:49:30- Episode wrap-up

Caffeine Free, by Tyler Smith

18 Mar

Recently, I have become more and more fascinated with the time in which Jesus lived. The more I read about it, the more suffocating it sounds. There were so many rules, so many tiny, seemingly insignificant boundaries that a God-fearing person was expected to respect every single moment of every single day. If they didn’t, the local religious leaders would see to it that the person would be treated as a social leper. If they were lucky, that is. Death was also a frequent punishment.

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